一棵樹懸掛在天空
白雲飄在枯掉的樹枝中
是一場夢？倒影？世界末日的景觀？
樹枝上，卻沒有葉子
一條一條黑塑膠籤取代之
黑垃圾袋的那種塑膠， 綁在樹枝上
是黑影？全日食留下的影子？代表小鳥？諷刺亂丟垃圾的陋習？
a tree suspended in the sky, raking floating white clouds
no leaves are left on the withered branches, just strips of black plastic
the kind used for garbage bags, tied on the branches
are they black clouds? the shadows of a solar eclipse? a reference to the liter that covers many beaches?
我想問：作品本身到底想要的是什麼？what does the sculpture want？作品缺乏什麼，對我有什麼懇求？
這不是概念或者意識問題，是作品本身跟你我的互動，而我想從垃圾袋絲切入
i want to ask: what does the sculpture itself want? what does it lack, what does it demand of me?
detail from yoki 2014 “landless landscapes.” sculptural installation. tree, cotton, plastic.
垃圾袋絲，如鳥，也讓我想起全日食，世界末日
作品是倒影
我想起，阿美族語影子adingo也是靈魂，是樹的靈魂要讓我們驚醒
也要給我們一些希望
the strips of garbage bag, tied there, like birds, or shadows that make me think of eclipses, of the end of the world
and the work is a reflection, like a reflection in water
i recall that in ‘amis language, reflection (adingo) also means a soul. is it that the tree’s soul wants to wake us from sleep
and to give us some hope?
只要我們願意面對沒有土地的風景，自然生態受人為破壞的事實
塑膠鳥群暗示演化的可能
we must confront the reality of a landscape without land, the destruction of the environment
but once we do that, the plastic birds suggest the possibility of a new kind of evolution
土地被剝削，生態被破壞，文化臨消失
塑膠鳥群在枯樹棲息
土地留下這個adingo給我們
是存活（survivance) 的靈魂鑰匙
the land is lost, environment broken, and culture threatened with disappearance
plastic birds nest in the tree’s soul
what the land’s reflection in this landscape without land gives us
is a spiritual key to survivance
殖民災難殘留物體，被遺棄的
將你檢起來引用，會呈現先人的文化邏輯
文化的adingo重生在人間
those residual objects left in the wake of the disaster of colonialism, things thrown away
once you have picked them up, they can show an ancestral cultural logic
and culture’s reflection will be reborn among the people
**yoki “landless landscapes” currently on view at the dulan sugar factory artists’ village 潘小雪的『沒有土地的風景』在都蘭糖廠藝術村，歡迎參觀
