malikoda in japanese colonial discourses (2) : “don’t call us savages”

one of the most powerful examples of the colonial circulation of malikoda can be found in a 1942 film produced by the governor general’s office, “southward advance from taiwan.” a Continue Reading →

malikoda as an articulation of social difference: malikoda in colonial discourses

japanese colonial depictions of malikoda followed the broader dimensions of taiwan in colonial discourses. to understand these discourses, i find it useful to think of them as scale making projects. Continue Reading →

urban planning and popular participation: some thoughts on a recent talk

music–particularly discourses about good versus bad musics–feature in many discussions of urban planning; perhaps this sonic connection to urban planning is more evident in the developing (or in the case Continue Reading →

intersections of songwriting and anthropology 人類學跟作曲的交叉點

i’m convinced that songwriters and ethnographers have a great deal to talk about and to learn from each other. figuring out how to facilitate this conversation has become one of my questions as i teach and do research

我深深感到,歌手和人類學學者,應該有很多的話題可以聊,更進一步說,我們互相學習的空間,顯者很大。要如何實現人類學和作曲的對話?這也是值得探討的問題 Continue Reading →