something to try
this piece works on material with which my readers might be familiar, but in a different way. i’ve been wondering whether a mode of writing might be to create an Continue Reading →
Category: complicity, migration, ethics of locality
my work transgresses conventional disciplinary and topical boundaries. interested in the relationships among revisionist histories, ethics, and popular culture, i examine intersections in which seeming separate fields evoke or are coordinated with each other
a fragment toward something else
sometimes the process of writing requires pieces that clear the mind or set an intention. i will admit that perhaps these pieces might err on the side of self-indulgence. for Continue Reading →
playing aborigine (2): open and closed participatory practices
one way that we might productively understand disputes over ethnic chinese either feeling entitled to participate in or appropriate taiwanese indigenous dance is to consider an issue that seems to Continue Reading →
playing aborigine (1): awkward dancers and layered sovereignty
The past few days I’ve been cleaning up some files–as you’ve probably noted from the recycling of old poems and papers today (sorry!). But my writing has also turned to Continue Reading →
performed but not spoken (4): empty syllables?
toward another model presentational performance, however, is not the only field of musical performance. As described by Turino, there are at least four different fields of musical practice, the performance Continue Reading →
