看展覽會有感: 潘小雪的沒有土地的風景
一棵樹懸掛在天空 白雲飄在枯掉的樹枝中 是一場夢?倒影?世界末日的景觀? 樹枝上,卻沒有葉子 一條一條黑塑膠籤取代之 黑垃圾袋的那種塑膠, 綁在樹枝上 是黑影?全日食留下的影子?代表小鳥?諷刺亂丟垃圾的陋習?
life in text and stereo sound
一棵樹懸掛在天空 白雲飄在枯掉的樹枝中 是一場夢?倒影?世界末日的景觀? 樹枝上,卻沒有葉子 一條一條黑塑膠籤取代之 黑垃圾袋的那種塑膠, 綁在樹枝上 是黑影?全日食留下的影子?代表小鳥?諷刺亂丟垃圾的陋習?
“it took me awhile,” said a member of an age set named for the 10 national construction projects of the late 1970s, before i recognized the man in the pictures, Continue Reading →
one of the most powerful examples of the colonial circulation of malikoda can be found in a 1942 film produced by the governor general’s office, “southward advance from taiwan.” a Continue Reading →
the appearance of malikoda in public representations of taiwan resonates with a broader movement toward a multicultural public sphere. as i have noted elsewhere (see, for example hatfield 2008), democratization Continue Reading →
i’m working these days on a paper for IASPM’s inter-asia music conference. the next few postings will be drafts, ideas, and other work toward the paper. please comment! —— the Continue Reading →