{"id":71,"date":"2019-04-04T15:44:08","date_gmt":"2019-04-04T15:44:08","guid":{"rendered":"http:\/\/djhatfield.com\/blog1\/?p=71"},"modified":"2019-04-04T15:44:08","modified_gmt":"2019-04-04T15:44:08","slug":"boat-horns-common-experiences-and-decolonizing-covers","status":"publish","type":"post","link":"http:\/\/djhatfield.com\/blog1\/?p=71","title":{"rendered":"boat horns, common experiences, and decolonizing covers"},"content":{"rendered":"<p>at the AAS this year, i participated in a panel of a group of people with whom i started working last year, who have been organizing conferences, panels, and an edited volume on the subject of &#8220;resonating occupations,&#8221; or the ways that colonialism \/ colonial occupations have registered, sounded, or been resisted sonically. although i could have given a paper from last year&#8217;s conference, i decided to do what most of us did for this event, which was to write something new. originally, i thought that it would take me in relatively worn paths for me, working on the ways that songs by suming rupi, intended to be protest songs, don&#8217;t always sound that way to settler listeners. instead, i ended up writing about the sound of boat horns in a few songs from the 1980s&#8230;<\/p>\n<p>because i&#8217;ve posted the text of much of this talk on my taiwan soundscapes blog, i&#8217;m just including a link here. follow the series to read this work on boat horns:<\/p>\n<p><a href=\"https:\/\/taiwansoundscapes.org\/2019\/04\/02\/listening-to-boat-horns-common-but-conflictual-experiences\/\">listening to boat horns: common but conflictual&nbsp;experiences<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>at the AAS this year, i participated in a panel of a group of people with whom i started working last year, who have been organizing conferences, panels, and an edited volume on the subject of &#8220;resonating occupations,&#8221; or the ways that colonialism \/ colonial occupations have registered, sounded, or been resisted sonically. although i &hellip; <a href=\"http:\/\/djhatfield.com\/blog1\/?p=71\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;boat horns, common experiences, and decolonizing covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,43,42],"tags":[45,46,47,48,51,50,44,49],"class_list":["post-71","post","type-post","status-publish","format-standard","hentry","category-critical-indigenous-studies","category-far-ocean-fishing","category-soundscapes","tag-artifacts","tag-boat-horns","tag-cover-versions","tag-decolonization","tag-indigenous-popular-musics","tag-registration","tag-soundscapes","tag-voice"],"_links":{"self":[{"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=\/wp\/v2\/posts\/71"}],"collection":[{"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=71"}],"version-history":[{"count":1,"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=\/wp\/v2\/posts\/71\/revisions"}],"predecessor-version":[{"id":72,"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=\/wp\/v2\/posts\/71\/revisions\/72"}],"wp:attachment":[{"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=71"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=71"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/djhatfield.com\/blog1\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}