playing aborigine (1): awkward dancers and layered sovereignty

The past few days I’ve been cleaning up some files–as you’ve probably noted from the recycling of old poems and papers today (sorry!). But my writing has also turned to Continue Reading →

performed but not spoken (4): empty syllables?

toward another model presentational performance, however, is not the only field of musical performance. As described by Turino, there are at least four different fields of musical practice, the performance Continue Reading →